Sadržaj predmeta

1. Messaris, P. (1994). Visual "iteracy": Image, mind, and reality. Boulder: Westview Press. Persson, P. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge: Cambridge University Press Zacks, J. M. (2015). Flicker: Your brain on movies. Oxford: Oyford University Press. (izabrati jedan naslov)

2. NAPOMENA: Studenti NISU dužni čitati građu s popisa dopunske literature. Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press. Bordwell, D. (1985). Narration in the fiction film. London: Methuen & Co. Ltd. Bordwell, D. (2008). Poetics of cinema. New York and London: Routledge. Bordwell, D. & Carroll, N. (Ur.) (1996). Post-theory: Reconstructing film studies. Madison: Universty of Wisconsin Press. Branigan, E. (1992). Narrative comprehension and film. London: Routledge. Carroll, N. (1990). The philosophy of horror; or, paradoxes of the heart. New York: Routledge. Carroll, N. (1996). Theorizing the moving image. New York: Cmabridge University Press. Carroll, N. (2003). Engaging the moving image. New Haven & London: Yale University Press. Currie, G. (1995). Image and mind: Film, philosophy, and cognitive science. New York: Cambridge University Press. Grodal, T. (1997). Moving pictures: A new theory of film genres, feelings, and cognition. Oxford: Clarendon Press. Grodal, T. (2009). Embodied visions: Evolution, emotion, culture, and film. Oxford: Oxford University Press. Livingston, P. & Plantinga, C. (Ur.) (2009). The Routledge companion to philosophy and film. London & New York: Routledge. Münsterberg, H. (1916). The photoplay: A psychological study. New York: D. Appleton and Company. Nanicelli, T. & Taberham, P. (Ur.) (2014). Cognitive media theory. New York and London: Routledge. Plantinga, C. (2009). Moving viewers: American film and the spectator. Berkeley: University of California Press. Plantinga, C. & Smith, G. (Ur.) (1998). Passionate views: Thinking about film and emotion. Baltimore: Johns Hopkins. Shimamura, A. P. (Ur.) (2013). Psychocinematics: Exploring cognition at the movies. Oxford: Oxford University Press. Smith, G. (2003). Film structure and the emotion system. Cambridge: Cambridge University Press. Smith, M. (1995). Engaging characters: Fiction, emotion, and the cinema. London: Oxford University Press. Tan, E. S. (1996). Emotions and the structure of narrative film. Mahwah: Lawrence Erlbaum Associates. Turković, H. (1994). Teorija filma: Prizor, montaža, tematizacija. Zagreb: Meandar. Turković, H. (2002). Razumijevanje perspektive: Teorija likovnog razabiranja. Zagreb: Durieux.